Maria Mijares

Maria MijaresMaria MijaresMaria Mijares
  • Home
  • paintings I
  • PAINTINGS II
  • public art
  • PUBLICATIONS
  • info
  • presentations
  • collections
  • news
  • news II
  • EARLY WORK narratives
  • FOREIGN MOVIE NARRATIVES
  • FAITH NARRATIVE
  • ABOUT AR+CHEOLOGY
  • SHIPS HAPPEN NARRATIVE
  • Bergenline Ave TEXT
  • GIFT SHOP
  • PUBLIC ART PROPOSALS
  • PLEIN-AIR in SPAIN
  • More
    • Home
    • paintings I
    • PAINTINGS II
    • public art
    • PUBLICATIONS
    • info
    • presentations
    • collections
    • news
    • news II
    • EARLY WORK narratives
    • FOREIGN MOVIE NARRATIVES
    • FAITH NARRATIVE
    • ABOUT AR+CHEOLOGY
    • SHIPS HAPPEN NARRATIVE
    • Bergenline Ave TEXT
    • GIFT SHOP
    • PUBLIC ART PROPOSALS
    • PLEIN-AIR in SPAIN

Maria Mijares

Maria MijaresMaria MijaresMaria Mijares
  • Home
  • paintings I
  • PAINTINGS II
  • public art
  • PUBLICATIONS
  • info
  • presentations
  • collections
  • news
  • news II
  • EARLY WORK narratives
  • FOREIGN MOVIE NARRATIVES
  • FAITH NARRATIVE
  • ABOUT AR+CHEOLOGY
  • SHIPS HAPPEN NARRATIVE
  • Bergenline Ave TEXT
  • GIFT SHOP
  • PUBLIC ART PROPOSALS
  • PLEIN-AIR in SPAIN

BY THE MYSTERY OF FAITH

The themes of my paintings often require an elaborate protocol to earn access to the subject. No bowl-o-cherries, in the case of the Catholic priesthood.



Decades ago I started upon a sort of pilgrimage to explore the parallel of the mystic art-life to the priesthood and the relationship of artist to subject, and subject to audience. I had no previous prejudice.  I thought I was following the thread in my content to research the culture of my heritage when tipped off about a priest from Spain at a local church.  I approached the priest with my sudden strong desire to paint about him. He didn't like the idea. For the first six months I was interrogated by his superior, persecuted, and asked to abort the first (innocent) unseen painting. Persevering I prevailed to be embraced by Bishops, presented to Cardinals, able to see the Pope in Spain, and fraternally welcomed in many an unlikely scene. I had to cultivate the privileged peephole. A long way from Backstage-Bob Dylan-Days, but not so very different.

It was absolutely  “A Man’s World” yet I survived the gauntlets—including blows at the hands of non-clerical women.

Steadfast, I eventually  ’got in’ earning respect from the top down. From that world I bring about forty paintings filling my studio at varying degrees of completion. The paintings represent a visual outline for an unfolding narrative shaped and played out “By the Mystery of Faith.”  

I was drawn in by my perception of integrity. One finds what one looks for.


 My inclinations are quixotic—whether looking at a decaying building or elegant treasure. Finding beauty in every subject from the commonplace to blight, visual context is philosophy, then theory gives way to faith.  


Going ‘Behind the Seens’ to a reality stretched to the edge— just short of falling off, I stoke the source for deeper mysteries from the fire within. In the caves of my ancestral Altamira, the artist was the priest.   

Studio visit with Society of Jesus Christ the Priest

Fr. Ramón Nacarino, Fr. Alex Carles, Fr. Lope Pascual




Art is, and has always been, a sacred endeavor.

###

RETURN TO CHURCH PAINTINGS

Copyright © 2018 Maria Mijares - All Rights Reserved. Any commercial use or distribution of these images or words without the expressed  permission of Maria Mijares is forbidden by law.